Vidra

Vidra is built as a film-style poster with a strong warning-strip palette and a grounded point of view. Yellow-black contrast, restrained type and the small human figure create cinematic tension with very little visual waste.

The poster language here relies on a clear emotional centre: image, title and contrast are aligned so the idea lands in one reading instead of several weaker ones. That economy is important for Vidra, because the work has to be memorable both from distance and in smaller promotional formats where only the strongest visual decision survives.